Damian Taylor (Mix With the Masters)+

Ninajirachi on recording vocals with voice memos

Sometimes you have to record when inspiration strikes. Ninajirachi shares how the vocals in 'Fuck My Computer' came from a voice memo on her phone.

Ninajirachi Writing & Producing 'F*ck My Computer' | Trailer

Watch the full series at: https://mwtm.com/ninajirachi Explore the cutting edge of electronic dance music with one of Australia’s biggest breakout artists. Ninajirachi breaks down a track from her ARIA-winning debut album, revealing how she uses modern technology to supercharge her creative process. Nina deconstructs her collage-based approach to beatmaking, demonstrating how she develops ideas from jam sessions, voice memos, and field recordings. Watch her collect scraps of audio and create new sounds in real time, as she applies sound design techniques directly within Ableton Live. As th

How Ninajirachi creates emotion in her vocals

How do you add emotion to your music? Ninajirachi walks us through her process of adding emotional layers to 'Fuck My Computer'.

Tony Hoffer's method of recording acoustic guitars

Want to take this kind of breakdown beyond your screen? Join Tony Hoffer in the studio from August 31 to September 4 and go deeper into his mixing process, decisions, and approach. Limited seats remain. Apply at mwtm.com

Brining hometown origins into producing a record

What influences your sound? Ian Fitchuk demonstrates how Leon Bridges' background influenced the sound in 'Laredo'.

Ben Baptie on mixing with his instincts

How much of engineering comes down to instinct? Ben Baptie explains why instinct, rather than technical reasoning, guided his decision to process 'Gorilla' by Little Simz through a mono compressor/limiter.

Free for 48H: David Wrench producing & mixing 'Freedom Of The Night'

Create a free account and watch David Wrench producing & mixing 'Freedom Of The Night' by Sophie Ellis-Bextor for free. Available for the next 48 hours at mwtm.com

Dan Malsch and Andy Wallace on finding your balance when mixing

Do you trust your meters or your ears? Dan Malsch and Andy Wallace share two sides of the same philosophy: know your levels, but always let your ears make the final call.

Philip Weinrobe shares his tips on recording

Do your eyes get in the way of your ears? Philip Weinrobe explains why removing visual input is an essential part of his critical listening process.

The instrument heard on Lykke Li’s album

You don't always need expensive gear to create authentic sounds. Lykke Li and Björn Yttling reveal how the Yamaha Reface YC shaped the sound of 'Lucky Again'. Full series out now, mwtm.com

Renaud Letang shares how to start a mix

How much does your vision shape the final mix? Renaud Letang shares his philosophy on the importance of having a vision from the very start.

Björn Yttling’s distortion technique

How do you turn the room into your instrument? Lykke Li and Björn Yttling break down the distorted room mic trick behind 'I Follow Rivers'. Full series out now, mwtm.com

Tony Maserati's trick to enhance vocals

When does clip gain come in handy? Tony Maserati shares how he uses his technique to highlight special vocal moments in RAYE’s hit 'WHERE IS MY HUSBAND!'

Free for 48H: Danny L Harle producing ‘Fly To You’ by Caroline Polacheck

Create a free account and watch Danny L Harle producing 'Fly To You' by Caroline Polacheck for free. Available for the next 48 hours at mwtm.com

Lykke Li shares the musical inspiration behind her album

Where does your inspiration come from? Lykke Li shares how Max Richter's take on Vivaldi's 'Spring' shaped 'Lucky Again'. Full series out now, mwtm.com

Lykke Li and Björn Yttling on creating vocal reverb

Sometimes the best sounds happen by accident. Lykke Li and Björn Yttling share how they created their distorted vocals in 'I Follow Rivers' & 'Lucky Again'. Full series out now, link in bio.

Lykke Li & Björn Yttling Writing & Producing ‘Lucky Again’ & ‘I Follow Rivers’ | Trailer

In this exceptional double episode, Lykke Li and Björn Yttling open the doors to Ingrid Studios to explore not one, but two songs in a single release: the global hit ‘I Follow Rivers’ and ‘Lucky Again’, a brand-new track from Lykke Li’s new record. Across both songs, they unpack their approach to songwriting, live tracking, vocal recording, harmonic distortion, and mixing, offering a rare opportunity to explore two distinct moments in Lykke Li’s creative journey side by side. Along the way, their conversation reveals how instinct, tension, and imperfection shape the identity of a record. Th

From storytelling to creating a melody

How can a story shape the direction of a song? Ian Fitchuk reflects on how Leon Bridges' storytelling became the spark that ignited the writing and production of 'Laredo'.

Jared Solomon and Shawn Everett’s musical collaboration

What is your desert island synth? Jared Solomon breaks down the synth sounds and effects from 'Soup' by Remi Wolf.

How WondaGurl creates her beat transitions

How do you create unique transitions? WondaGurl analyzes the signature musical transitions from her song 'DAMAGE.'

Free for 48H: Shawn Everett mixing ‘Slow Burn’ by Kacey Musgraves

Create a free account and watch Shawn Everett mix 'Slow Burn' by Kacey Musgraves. Available for free for the next 48 hours at the link in bio.

How Chris Lord-Alge fine-tunes his mixes

Is louder always better? Chris Lord-Alge demonstrates how a simple 1dB attenuation across every channel can transform the sound of a mix.

Andy Wallace on adding boosts to a chorus

How do you make a chorus hit harder? Andy Wallace shares his favorite way to add energy to a chorus while mixing ‘Lachryma’ by Ghost.

Dahi shares how he perfected his drum technique

How do you program organic sounding drums? Grammy-winning producer Dahi breaks down the production behind his critically acclaimed single ‘Find Me’ featuring Moses Sumney and Mez.

Jon Castelli on mixing guitars for Finneas

What are your favorite tube emulation plugins? Jon Castelli reveals the tools he used to mix the guitars on 'For Cryin' Out Loud!' by Finneas.

David Wrench’s technique on mixing vocals

Why use multiband compression? David Wrench breaks down the basics of multiband compression while mixing ‘Find Me by Dahi, Moses Sumney & Mez. Full series out now, link in bio.

Ben Baptie on recording with a choir

How do you record a choir? Ben Baptie discusses the microphone selection and placement used while recording the choir on 'Gorilla' by Little Simz.

Free for 48H: Dev Hynes producing 'The Field' by Blood Orange

Create a free account and watch Dev Hynes, aka Blood Orange, writing & producing 'The Field' for free. Available for the next 48 hours at the link in bio.

Dahi and David Wrench’s musical partnership

Who are your favorite musical collaborators? Dahi and David Wrench discuss their experience collaborating on Dahi’s highly anticipated solo album ‘Black Boy (Alternative)’. Full series out now, link in bio